Gripping documentary account (produced by Jane Campion) of the outrageous conspiracy exposed in the aftermath of a 13-year-old Japanese girl’s abduction in 1977.
Films — by Language
- Afrikaans
- Albanian
- Algonquian
- Arabic
- Armenian
- Bahasa Indonesian
- Bengali
- Bosnian
- Cantonese
- Creole
- Czech
- Danish
- Dari
- English
- English Intertitles
- Farsi
- French
- Ganalbingu
- German
- Hebrew
- Hindi
- Hungarian
- Ibu
- Italian
- Japanese
- Khmer
- Korean
- Kurdish
- Kyrgyz
- Latin
- Mandarin
- Mongolian
- Pashto
- Persian
- Polish
- Portuguese
- Romanian
- Russian
- Serbo-Croatian
- Sinhalese
- Spanish
- Swedish
- Tagalog
- Te reo Māori
- Thai
- Tibetan
- Tuvaluan
- Wolof
- Yoruba
- other Australian Aboriginal languages
Korean
![A Bittersweet Life](/assets/resized/sm/upload/0l/j8/55/ir/bittersweetlife010-0-520-0-390-crop.jpg?k=cb246aaed2)
A Bittersweet Life
Dalkomhan Insaeng
Formidable Korean director of The Quiet Family and A Tale of Two Sisters returns with stunning blend of icy noir, ultra-violence and wicked black humour.
![The Host](/assets/resized/sm/upload/jr/db/61/ab/The-Host--TBC-0-520-0-390-crop.jpg?k=e9d71589b6)
The Host
Gue mool
This Cannes hit from Korea is a full-bodied horror show that's both scary and hilarious.
![Host & Guest](/assets/resized/sm/upload/j6/4q/ag/di/hostandguest-0-520-0-390-crop.jpg?k=cee048e828)
Host & Guest
Bangmunja
This witty, involving Korean indie charts the uneasy, incredibly odd friendship that develops between an irascible film scholar and a naïve young Christian.
![In Between Days](/assets/resized/sm/upload/ir/dg/1c/tj/inbetweendays-0-520-0-390-crop.jpg?k=ad4504eadf)
In Between Days
Korean American So Yong Kim explores the ghost world of teenage alienation with watchful, intelligent minimalism. Judged Best Film in the Sundance dramatic competition.
![Sympathy for Lady Vengeance](/assets/resized/sm/upload/8p/e7/f2/4g/sympathy_for_page-0-520-0-390-crop.jpg?k=b64d7da099)
Sympathy for Lady Vengeance
Chinjeolhan geumjassi
Korean director Park Chan-wook (Oldboy) delivers the third of his phenomenal revenge trilogy, concerning an angelic murderess who guards a deadly secret.
![Tale of Cinema](/assets/resized/sm/upload/rg/r8/di/lx/talecinemajpg-0-520-0-390-crop.jpg?k=8bf748b241)
Tale of Cinema
Geuk jang jeon
Korean Hong Sang-soo (Turning Gate, The Virgin Stripped Bare…) continues his distinctly personal brand of filmmaking with this wry story about sex, lies and cinematic one-upmanship.