The great Alexander Sokurov (Russian Ark, Mother and Son) has made an eloquent anti-war film in which not a shot is fired. "Dream-like... a timely and humane film." — Sight and Sound
Films — by Language
- Albanian
- Arabic
- Cantonese
- Catalan
- Czech
- Danish
- Dinka
- Dutch
- English
- Farsi
- Finnish
- French
- German
- Hebrew
- Hokkien
- Icelandic
- Indonesian
- Italian
- Japanese
- Kinyarwanda
- Korean
- Latin
- Malay
- Mandarin
- Mongolian
- Neapolitan
- Norwegian
- Pashto
- Picard
- Plautdietsch
- Polish
- Portuguese
- Punjabi
- Romanian
- Russian
- Shanghainese
- Spanish
- Swedish
- Te reo Māori
- Thai
- Turkish
- Turkmen
- Urdu
- Yiddish
- Yolngu
Russian
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The Banishment
Izgnanie
A family tragedy told with incredible visual power by the Russian director of The Return. Best Actor Award, Cannes, 2007. "Truly something to see." — Time
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Cargo 200
Gruz 200
The end of the Soviet Union is the ultimate horror show in this brilliantly grotesque film from the director of Brother. "A superbly-acted, finely-directed, vision of hell." — Time Out
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The Counterfeiters
Die Fälscher
Oscar winner, Best Foreign Film. A vividly original concentration camp drama. "Sharp and compelling... delivers on the promise of its astonishing true-life origins." — Empire
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Lorna's Silence
Le Silence de Lorna
Actress Arta Dobroshi is a revelation as a young Albanian woman inveigled into a treacherous scam in acclaimed Dardennes Brothers' new film. Best Screenplay, Cannes Film Festival 2008.
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Revue
Predstavlenye
This handsomely presented compilation of immaculately preserved 50s and 60s Soviet propaganda films offers unique insights into the mindset of a lost time and place.
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To Each His Own Cinema
Chacun son cinéma
A fascinating, entertaining compilation of short films about movie-going by some of the world's greatest directors: Cronenberg, Lynch, Campion, Kitano, Salles, Kiarostami, Polanski etc etc...
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Vogelfrei
Fresh and engaging takes on the four ages of man from the brightest new talents of the newly emergent Latvian film industry. "Beautiful filmmaking." — The Lumiere Reader