Tilda Swinton in a hyper-stylish drama about a wealthy Milanese clan. “An exquisite, all-enveloping feast of sensual pleasures. It’s almost certainly the most elegant piece of cinema you’ll see this year.” — The Times
Screened as part of NZIFF 2010
I Am Love 2009
Io sono l’amore
“Watching this lush, operatic Italian drama about a clannish family of wealthy Milanese industrialists is like suddenly being exposed to a full orchestra when you have become accustomed to listening to the plaintive sawing of a lone violinist. It’s an exquisite, all-enveloping feast of sensual pleasures. It’s almost certainly the most elegant piece of cinema you’ll see this year. It is melodrama as celebration rather than as guilty pleasure…
Tilda Swinton is magnificent as Emma Recchi, the Russian-born wife of the heir to the Recchi business, Tancredi… Initially we don’t even realise that Swinton’s character is the centre of the story. Reserved, somewhat aloof, she seems to be just another polished, precious gem in the Recchi collection. But a fateful encounter with a handsome young chef and his sublime cooking gradually awakens the young girl who has been dormant since Emma left Russia to be Tancredi’s wife… [Director Luca] Guadagnino references both Visconti and Hitchcock as the saga unfolds, but his voice is original and his vision utterly compelling.” — Wendy Ide, The Times
“Tilda Swinton is ridiculously enjoyable to watch… dressed in colours you want to drink, and exploring her puzzled, porcelain allure in ways that make the screen fairly quiver… It’s a sensational performance, but the excitements of this pulse-quickening, exotic bird of a film… neither begin nor end there.” — Tim Robey, The Telegraph
“A deeply serious film, and a seriously political one, but it’s also playful, flamboyant and visually magnificent – a subtly but richly flavoured tonic for the jaded cinephile palate.” — Jonathan Romney, Independent on Sunday