This strikingly strange tale of a Lisbon drag queen’s late gender-identity crisis mixes realism, melodrama and delicate fantasy. “Pure enchantment… This is a beguiling, original and unclassifiable film.” — Sight & Sound
Pure enchantment... This is a beguiling, original and unclassifiable film.
To Die Like a Man 2009
Morrer como um homem
Staggering and indescribably strange, João Pedro Rodrigues’ tale of a Lisbon drag queen’s late gender-identity crisis sets us up for grunge, angst and melodrama. And then draws us into a woodland fantasia where the spirits of Lewis Carroll and Oscar Wilde seem to preside, and the forest itself is in drag, uncertain of its true nature. — BG.
“The idea of biology as destiny is given a provocative slant in Rodrigues’ extravagant, darkly funny and ultimately moving melodrama. With her blonde wig and stout dimensions, Tonia resembles John Waters’ late muse, Divine, while the tragic air she carries could be cribbed from Dark Victory-era Bette Davis. In a surreal rural sequence that culminates in a spectacular red lunar eclipse, Tonia and drag diva friend Maria hunt the mythical snipe, but the most mythical creature in the woods might be Tonia herself as she straddles male and female worlds.” — Pam Grady, San Francisco International Film Festival