After May (aka Something in the Air) is filmmaker Olivier Assayas’s (Summer Hours, Carlos) lyrical and reflective memoir of his own youthful wavering in the aftermath of the student-led protests that convulsed France in May 1968.
Films — by Country
France
![Bande à Part](/assets/resized/sm/upload/1d/7r/k4/o7/bande-a-part-1964-03-g-0-520-0-390-crop.jpg?k=d074f086eb)
Bande à Part
“Godard's 1964 classic has the same garrulous, genial, almost insolent effortlessness of Breathless, the same feeling of jumping for joy and almost defying gravity on the way down.” — Peter Bradshaw, The Guardian
![Pierrot le fou](/assets/resized/sm/upload/yc/4x/sq/gc/pierrot-le-fou-0-520-0-390-crop.jpg?k=760ec4323e)
Pierrot le fou
“The epitome of New Wave pop art romanticism, Pierrot is as evocative of its epoch as a Warhol “Marilyn” or Beatles VI.” — J. Hoberman, Village Voice
![](/assets/resized/sm/upload/j3/h3/ex/wq/2013-03-08-11h42m40s85-0-520-0-390-crop.jpg?k=aa5c87bee8)
Vivre sa vie
“A milestone 'Everything is permissible’ moment in narrative film, Godard's fourth feature is a rocket from Pandora's Box.” — Nick Pinkerton, Village Voice