A delicate and frequently touching debut drama, Australian director Sophie Hyde’s film, shot over a year of Tuesdays, traces a teenage girl’s explorations of her own sexual identity while her mother undergoes gender transition.
Films — by Strand
Fresh
The Babadook
‘Baba-dook-dook-dook’ joins ‘Candyman’ and ‘Bloody Mary’ as words too terrifying to say, but too tempting not to, thanks to Australian writer-director Jennifer Kent’s startling and thought-provoking horror house thriller.
Force Majeure
Turist
Swedish director Ruben Östlund’s Cannes sensation combines black comedy, social satire and probing psycho-drama as a model family comes apart on a skiing holiday in the French Alps.
Frank
Michael Fassbender and Maggie Gyllenhall play fiercely avant-garde musicians in this weirdly celebratory satire of an obscure art rock band propelled via Twitter into the limelight.
God Help the Girl
This long-awaited, massively crowd-funded pop musical – written, composed and directed by Belle and Sebastian’s Stuart Murdoch – stars a radiant Emily Browning as an up-and-coming Glasgow singer.
Kumiko, the Treasure Hunter
Inspired by an urban legend that was itself inspired by the Coen brothers’ Fargo, filmmaking brothers David and Nathan Zellner have crafted a quixotic adventure story as beguiling as it is wondrously strange.
Lilting
Ben Whishaw brings moving sensitivity to this lyrical tale of a young gay man tragically bereft of the love of his life and craving reconciliation with his lover’s old-school Chinese-Cambodian mother.
Locke
Tom Hardy mesmerises as a man dealing with crisis on all fronts, making and taking frantic phone calls as he steers his BMW through the night. Steven Knight’s breathless feat of real-time drama is set entirely inside the car.
The Skeleton Twins
Saturday Night Live veterans Bill Hader and Kristen Wiig are brilliant as long-estranged twins who reunite in a crisis in this warm, often outrageously funny dramedy of late-30-something angst. Also starring Luke Wilson.
White God
Fehér isten
Hungarian director Kornél Mundruczó’s audacious drama, about how a young girl’s separation from her dog leads to a full-blown canine uprising, won the Un Certain Regard Prize at the Cannes Film Festival.