Sandra Reid

‘Baba-dook-dook-dook’ joins ‘Candyman’ and ‘Bloody Mary’ as words too terrifying to say, but too tempting not to, thanks to Australian writer-director Jennifer Kent’s startling and thought-provoking horror house thriller.

Richard Linklater’s enthralling and moving drama of a boy’s progress from childhood to young manhood is truly unprecedented: it was shot over 12 years, capturing its star and his fellow cast as they themselves grew and changed.

Remarkable footage of a Barcelona anti-austerity demonstration – and its quelling – shaped into a lyrical tribute to the spirit of protest by Victor Kossakovsky ( ¡Vivan las Antipodas!) and 32 Spanish film students.

Swedish director Ruben Östlund’s Cannes sensation combines black comedy, social satire and probing psycho-drama as a model family comes apart on a skiing holiday in the French Alps.

This wryly observed, visually sumptuous documentary takes us behind the scenes at Vienna’s Art History Museum while staff prepare an ambitious renovation, reinstallation and rebranding of its palatial Kunstkammer galleries.

Direct from Competition in Cannes, the new film from the Russian director of The Return is an involving, magnificently envisaged and blackly funny tale of one man’s struggle in a densely corrupt world.

From Dec 2013 until Feb 2014 the Ukrainian director Sergeï Loznitsa ( In the Fog, My Joy) recorded the unfolding of a revolution as the crowds gathered in protest in Kiev’s Independence Square and military police cracked down.

Set in the early days of the jihadist takeover of northern Mali in 2012, African director Abderrahmane Sissako’s Cannes Competition drama delivers a beautiful and deeply humane condemnation of religious intolerance.

Hubert Sauper (Darwin’s Nightmare) exposes the international powers at work in the world’s newest country, South Sudan, in this astounding doco which received an award for ‘Cinematic Bravery’ at the Sundance Film Festival.

A surprise Cannes sensation from Argentina, Wild Tales is a compendium of six lavishly produced shorts united by a theme of vengeance – the kind that explodes in spectacular outbursts, sometimes planned, sometimes not!

Jane Campion’s jury awarded the Palme d’Or for Best Film at Cannes this year to this provocative and engrossing study of unwitting male pride and its fallout by Turkish director Nuri Bilge Ceylan.

This intimate portrait of a marvellously idiosyncratic family of beekeepers in the Italian countryside is a classic picture of children growing up in nature – and won its young director the Grand Prix at Cannes.