Staff Picks: Sibilla Paparatti

Martin Scorsese and David Tedeschi’s doco celebrates 50 years of cultural and political debate in the pages of The New York Review of Books with octogenarian editor Robert Silvers, its tireless champion of intellectual freedom.

This nerve-racking wartime thriller from director Yann Demange and Black Watch writer Gregory Burke stars Jack O’Connell (Starred Up) as a lost British soldier hunted by both sides amid the mayhem of Belfast, 1971.

Anticipating the punch-counterpunch set-up of today’s TV punditry, but so much more incisive, the 1968 TV debates between liberal Gore Vidal and conservative William F. Buckley Jr resound again in this terrific documentary.

Our chador-wearing heroine walks the night-time streets of Bad City sinking her teeth into those who deserve to die. Outrageously languid, this new-school vampire movie is a triumphant first feature for Ana Lily Amirpour.

Christopher Abbott and Cynthia Nixon are indelible as a Manhattan slacker careening out of control and his mother battling cancer in Josh Mond’s intensely immersive first feature.

The Auckland Philharmonia Orchestra plus Charlie Chaplin equals glorious Live Cinema. Marc Taddei conducts Chaplin’s score for The Kid, arranged by Carl Davis, and Timothy Brock’s new score for the wildly funny The Immigrant.

In Nanni Moretti’s mix of wry comedy and sombre family drama, a woman strives to balance life and art as her mother’s health fails – and the actor in the film she’s directing (John Turturro) proves to be a handful.

The emotional roller-coaster of a single mother’s relationship with her ADHD teenage son is rendered with intense sympathy and dramatic flair by 25-year-old director Xavier Dolan. Winner of the Cannes Jury Prize in 2014.

An engagingly eccentric and engrossingly literate coming-of-age film from French writer-director Arnaud Desplechin (My Sex Life), featuring Mathieu Amalric and a cast of brilliant young newcomers.

Handsomely shot for the giant screen, this story of feuding brothers in a remote valley in Iceland begins as an oddball comedy about sheep farming and grows into a moving tale about a priceless rural heritage under threat.

Ethan Hawke’s music-laden documentary ushers us into the company of octogenarian former concert pianist and tireless teacher Seymour Bernstein, and invites us to share his humour, vitality and penetrating wisdom.

This strange and original multi-award winner from Ukraine employs a deaf cast to enact its lacerating vision of teenage prostitution and gang war brutality in a Kiev boarding school.