Murderous goons meet their match in a downhome Minnesota cop, the inimitable Frances McDormand as Detective Marge Gunderson, chirpy, relentless and seven months pregnant. Landmark ‘true crime’ comedy from the Coens.
Films — by Title
F
I
The Iron Giant
Signature Edition
In Brad Bird’s beautifully animated adaptation of Ted Hughes’ anti-Cold War children's book, young Hogarth Hughes befriends a gigantic robot from outer space, and hides him from wily government agents.
J
Janis: Little Girl Blue
An admiring, perceptive, richly researched and performance-studded celebration of 60s icon and white soul singer supreme, Janis Joplin, beautifully crafted by Amy Berg (West of Memphis).
K
The King and I
Deborah Kerr and Yul Brynner are the definitive Anna and the King of Siam in the dazzling movie of the evergreen Rogers and Hammerstein musical, spectacularly transferred to digital for its 60th anniversary.
P
The Philadelphia Story
Katharine Hepburn spoofs her blue blood image as the spoiled bride-to-be in the definitive high society romcom. Sardonic ex-husband Cary Grant and scandal-mongering journo Jimmy Stewart vie to divert her from the altar.
R
Ran
“Kurosawa’s late-period masterpiece, transposing King Lear to period Japan, is one of the most exquisite spectacles ever made, a color-coordinated epic tragedy of carnage and betrayal – passionate, somber, and profound.” — New York Magazine
S
Stop Making Sense
Jonathan Demme’s celebrated concert movie remains a conceptual and audiovisual triumph, capturing David Byrne and Talking Heads in infectious peak form.
W
Where to Invade Next
In his sunniest most upbeat film yet, the activist/director of Fahrenheit 911 and Bowling for Columbine mounts a comic assault on the good citizens of several of the world’s most liberal social welfare states.
The Witch
A Puritan family in 1630 New England is torn apart by the forces of witchcraft, black magic and possession in this superbly crafted immersion in period horror from first-time writer/director Robert Eggers.