Staff Picks: Andrew Harrison

Punk rockers and skinheads clash in this intense, darkly humorous game of cat-and-mouse, from the director of bracing indie thriller Blue Ruin.

Paul Dano discovers all the tools he needs for survival in Daniel Radcliffe’s multi-purpose corpse in this wildly weird desert island comedy from viral and music video oddballs the Daniels.

Based on Welsh novelist Sarah Waters’ Fingersmith, this outrageous and lusciously erotic thriller from the director of Oldboy transposes a Victorian tale of sex, duplicity and madness to 1930s Japanese-occupied Korea.

Hands down the grossest, weirdest and truly most ‘WTF?’ film screening at NZIFF. A perverted combination of John Waters at his appalling best and the warped comedy of Adult Swim’s Tim & Eric.

Michael Shannon, Joel Edgerton, Adam Driver, Kirsten Dunst and newcomer Jaeden Lieberher star in this dazzling, genre-defying sci-fi/chase movie from the director of Mud and Take Shelter.

NZIFF 2016 opens with the World Premiere screenings of the Kiwi feel-good movie of the year: Tearepa Kahi’s richly researched celebration of Dalvanius Prime and the many rivers that flowed into the making of ‘Poi E’.

An alarming look at the power of the internet: a meme inspires two girls to murder their friend. This doco explores the real-life horrors of the digital age.

Renaissance man Viggo Mortensen steals the show as a solo father whose idealistic way of raising his six children off the grid comes under attack in this energetic, comedic drama.

This often funny and ultimately intensely moving tale of the friendship between an out-of-work Newcastle carpenter and a young single mother won for Britain’s Ken Loach a second Palme d’Or for Best Film at Cannes this year.

Direct from Cannes, Jim Jarmusch’s beautifully calibrated ode to art and ordinariness stars Adam Driver as a New Jersey bus driver who writes poetry in his downtime and Golshifteh Farahani as his cupcake chef wife.

In Alison Maclean’s vibrant screen adaptation of Eleanor Catton’s debut novel, a first-year acting student (James Rolleston) channels the real-life experience of his girlfriend’s family into art and sets off a moral minefield.

Studio Ghibli’s first international co-production is a ravishing castaway fable that combines beauty, mystery, drama and heartbreak – with not a word spoken. It’s a triumph for animator Michael Dudok de Wit.