Films — by Collection

Wellington Film Society

The WFS committee have cast their votes and we have a dozen films on our "must-see" list for NZIFF in 2016. It's fair to say we're a broad church when it comes to taste in cinema and our list is reflective of this. At the top of our list is the film brimming with Cannes buzz, Toni Erdmann but equally anticipated is the darkly comic and dystopian High-Rise (nothing to do with the Hiddleston factor...). It will come as no surprise that we're particularly excited about the very strong selection of films in the Retrospective section, with a shout-out to A Touch of Zen, a film we're very proud to co-present at this year's Festival. The rest of our list reflects genre favourites, auteur-driven cinema and women in strong roles. What is clear is that we're going to watch a heck of a lot of films over the 17 days of the Festival and we can't wait for it to kick-off.

Toni Erdmann

Maren Ade

Hailed at Cannes as a brilliantly original comic masterpiece, Austrian writer/director Maren Ade’s epic of parent-child dysfunction centres on a father assailing his uptight corporate daughter with crazy pranks.

High-Rise

Ben Wheatley

In Ben Wheatley's ambitious, wildly disorienting adaptation of the J.G. Ballard novel, tenants of a high-tech skyscraper slip into a literal class war. Starring Tom Hiddleston, Jeremy Irons, Sienna Miller and Elisabeth Moss.

McCabe & Mrs Miller

Robert Altman

A stunning digital restoration of Robert Altman’s classic, lyrical reinvention of the American Western, made in 1971. Warren Beatty stars as a gambler going into business with Cockney madam Julie Christie. Songs by Leonard Cohen.

A Touch of Zen

Xia nu

King Hu

Frequently imitated (Crouching Tiger, Hidden Dragon) and never surpassed, King Hu’s spectacular pre-CGI masterpiece of wuxia cinema has been radiantly restored. “The visual style will set your eyes on fire.” — Time Out

Chimes at Midnight

Orson Welles

Thanks to an astonishingly crisp restoration, Orson Welles’ 1965 Shakespearean masterpiece lives anew. Welles gives a mammoth performance as the Bard’s tragic fool Falstaff, along with John Gielgud as Henry IV and Keith Baxter as Hal.

The Handmaiden

Agassi

Park Chan-wook

Based on Welsh novelist Sarah Waters’ Fingersmith, this outrageous and lusciously erotic thriller from the director of Oldboy transposes a Victorian tale of sex, duplicity and madness to 1930s Japanese-occupied Korea.

Lo and Behold: Reveries of the Connected World

Werner Herzog

Werner Herzog, director of such notable classics of the non-fiction realm as Grizzly Man, turns his inimitable eye on the galloping evolution of the internet, its geniuses and its ominous implications for creation at large.

Winter Song

Chant d’hiver

Otar Iosseliani

In a similar style to Jacques Tati, this elaborate and nostalgic comic portrait of the denizens of a Paris suburb favours visual gags over dialogue and the beguiling unravelling of random connections over plot.