Visual medication for the tired mind merges all my senses when I think about it, be it a rappers paean to social precepts or a wink to the delightful ink that imbues every frame of Kaurismäki's canvas. The taste of Russia comes with a slew of bitter and sour chemistry in the much anticipated Loveless, his Leviathan came up from the deep to somewhat bother me for days of winter nights after. Never defeated by all this talk of cinema's demise, each year I'm born again to unravel what gifts the directors of today serve up – step inside and get on the carousel...
Films — by Collection
- At the Movies: Bill Gosden and Simon Morris
- Bill Gosden’s Guide to NZIFF 2017
- Coup De Main
- Letterboxd
- Metro: David Larsen
- Staff Picks: Alice Vilardel
- Staff Picks: Ant Timpson
- Staff Picks: Beck Eleven
- Staff Picks: Hedda ten Holder
- Staff Picks: Ina Kinski
- Staff Picks: Jo Scott
- Staff Picks: Kailey Carruthers
- Staff Picks: Kezia Dwyer
- Staff Picks: Manali Bhatia
- Staff Picks: Miles Chan
- Staff Picks: Nick Paris
- Staff Picks: Rebecca McMillan
- Staff Picks: Sandra Reid
- Staff Picks: Tim Keats
- The Residents: Lucy Revill
- Wellington Film Society
Staff Picks: Nick Paris
Loveless
Nelyubov
Andrey Zvyagintsev (Leviathan) won the Cannes Jury Prize for his stark and gripping tale of a divorcing couple caught in a missing-child procedural.
The Other Side of Hope
Toivon tuolla puolen
A Syrian stowaway lands up in Helsinki and finds refuge working in the worst restaurant in town in this funny, gorgeously filmed new tragicomedy from Finland hangdog maestro, Aki Kaurismäki.