Miles Chan, our 2017 Auckland Intern, recommends:
Films — by Collection
- At the Movies: Bill Gosden and Simon Morris
- Bill Gosden’s Guide to NZIFF 2017
- Coup De Main
- Letterboxd
- Metro: David Larsen
- Staff Picks: Abby Cattermole
- Staff Picks: Alice Vilardel
- Staff Picks: Ant Timpson
- Staff Picks: Beck Eleven
- Staff Picks: Hedda ten Holder
- Staff Picks: Ina Kinski
- Staff Picks: Jo Scott
- Staff Picks: Kailey Carruthers
- Staff Picks: Kezia Dwyer
- Staff Picks: Manali Bhatia
- Staff Picks: Michael McDonnell
- Staff Picks: Miles Chan
- Staff Picks: Nick Paris
- Staff Picks: Rebecca McMillan
- Staff Picks: Sandra Reid
- Staff Picks: Tim Keats
- Staff Picks: Tim Wong
- The Residents: Lucy Revill
- Wellington Film Society
Staff Picks: Miles Chan
The Square
Winner of the Cannes Palme d’Or, Ruben Östlund’s The Square is an astounding work of social satire centred on a Swedish art museum and a PR stunt that goes horribly wrong. Starring Claes Bang, Elisabeth Moss, Terry Notary.
Loveless
Nelyubov
Andrey Zvyagintsev (Leviathan) won the Cannes Jury Prize for his stark and gripping tale of a divorcing couple caught in a missing-child procedural.
Call Me by Your Name
This gorgeous and moving adaptation of André Aciman’s acclaimed novel, directed by Luca Guadagnino (I Am Love), stars Armie Hammer and Timothée Chalamet as lovers in sun-kissed northern Italy.
Stalker
One of the most immersive and rarefied experiences in all cinema, Andrei Tarkovsky’s Stalker embarks on a metaphysical journey through an enigmatic post-apocalyptic landscape. Newly restored.
Frantz
This elegantly mounted drama explores regeneration in the aftermath of World War I through the complex relationship of a young German woman (Anna Beer) and a French soldier (Pierre Niney) brought together by shared loss.
Happy End
Jean-Louis Trintignant is the failing patriarch and Isabelle Huppert his daughter in this satirical dissection of a powerful French construction dynasty from Austrian director Michael Haneke (Amour, Caché).
Yourself and Yours
Dangsinjasingwa dangsinui geot
Hong Sang-soo’s sardonic romantic comedy teases confusion and bountiful amusement out of doppelgängers who may not be doppelgängers and lapses in memory that may or may not be genuine.
Marjorie Prime
Michael Almereyda (Experimenter) directs the magnificent Lois Smith as an ailing widow who turns to a holographic projection, played by Jon Hamm, in an effort to stave off memory loss and the melancholy of old age.
The Party
“This sketch of an ambitious Westminster politician and dinner-party hostess (Kristin Scott Thomas), whose life comes spectacularly apart before the canapés are even served, is a consummate drawing-room divertissement, played with relish by a dream ensemble.” — Guy Lodge, Variety
20th Century Women
Annette Bening captivates as a single mother enlisting Greta Gerwig and Elle Fanning to help raise her 15-year-old son in this funny, nuanced memoir of late-70s lifestyles from director Mike Mills (Beginners).
A Ghost Story
A simple story told with the simplest means, A Ghost Story tracks the progress of a ghost who can’t let go of the woman he loved and the house they shared, evoking a profoundly moving sense of existential disquiet.
Blade of the Immortal
Mugen no junin
Japanese super director Miike Takashi, in no less than his 100th film, returns to the bloody mayhem of 13 Assassins with this brutal and boisterous manga adaptation about a vengeful samurai who can grow back his own limbs.