Staff Picks: Camila Araos-Elevancini

Direct from Cannes where it shared the Best Screenplay award for its amazingly inventive script, Alice Rohrwacher’s seductive rural fable applies fairy-tale logic to explore the troubled soul of Italy.

Merata Mita, pioneering Māori filmmaker and international champion of women in indigenous film, is celebrated by her youngest son, archivist Heperi Mita, collaborating with his siblings to deliver a richly personal portrait.

Drawing upon the rich cultural traditions of Bali, this mesmerisingly beautiful film invites us into the magical and mysterious dream world shared by a young girl and her seriously ill twin brother.

The first, and tragically only, film from Chinese novelist turned filmmaker Hu Bo is an ambitious and unforgettable film, reminiscent of the works of modern masters like Jia Zhangke and Béla Tarr.

A universally adored, very loving but somewhat clueless Portuguese soccer star is co-opted for nefarious political ends in this outrageously bonkers satire of vacuous media and surging nationalism in Europe.

Fresh and brave, Kenyan director Wanuri Kahiu’s tender, exuberant teenage lesbian coming-out tale has been banned in Kenya and celebrated in Cannes.

A deftly made, delightfully illustrated, femme-focused animated film from Colombia about growing up in a decidedly unconventional family. Winner of the Audience Award for foreign films at SXSW 2018.

The Wolfpack director Crystal Moselle returns with a free wheeling, often funny fiction debut about young female skateboarders in New York City, featuring real-life crew Skate Kitchen.

In Dyana Winkler and Tina Brown’s performance-driven doco, African-American communities across the US battle in a racially charged environment to save a vital roller-skate subculture.

Direct from Cannes, the latest sensation from French cinema’s premier provocateur Gaspar Noé (Enter the Void) is his best yet, an exhilarating 1990s techno dance musical that spins out into collective freak-out.

Drawings move, paintings come to life and puppets take the stage, one painstaking frame at a time.

A love triangle and mystery based on a Murakami Haruki short story, Korean great Lee Chang-dong’s (Secret Sunshine,  Poetry) latest was the best-reviewed film at Cannes, an unforgettable now-or-never must-see on the giant Civic screen.