I’ve already seen and written about a dozen or so essential films in this year’s bumper NZIFF programme – but I’m absolutely saving these highlights for the big screen. Special mention goes to Cold Water, one of the great films of the 90s, and an exclusive treat for Aucklanders celebrating the Festival’s 50th year in the city.
Films — by Collection
- Letterboxd
- Newshub: The 12 Most Exciting Films at NZIFF
- Staff Picks: Alice Vilardel
- Staff Picks: Ant Timpson
- Staff Picks: Bex Shannon
- Staff Picks: Bill Gosden
- Staff Picks: Camila Araos-Elevancini
- Staff Picks: Ina Kinski
- Staff Picks: Jane Simons
- Staff Picks: Jean Teng
- Staff Picks: Kailey Carruthers
- Staff Picks: Karen Cartwright
- Staff Picks: Liam Reid
- Staff Picks: Matt Wilshere
- Staff Picks: Megan Andrews
- Staff Picks: Michael McDonnell
- Staff Picks: Nick Paris
- Staff Picks: Rebecca McMillan
- Staff Picks: Sally Woodfield
- Staff Picks: Sandra Reid
- Staff Picks: Sharon Byrne
- Staff Picks: Tim Wong
- Staff Picks: Zoe Pattinson Fan
- Wellington Film Society
Staff Picks: Tim Wong
3 Faces
Se rokh
“Charming Iranian cinema at its purest… Once more defying a filmmaking ban, Iranian director Jafar Panahi sounds the depths of traditional values in a road movie with actress Behnaz Jafari.” — Deborah Young, Hollywood Reporter
Angels Wear White
Jia nian hua
“In an intriguing film noir full of white light reflecting off virginal dresses, polished surfaces and sparkling sand, director Vivian Qu probes the status of girls in Chinese society.” — Kate Taylor, Globe and Mail
Ash Is Purest White
Jianghu er nv
The transfixing Zhao Tao plays a tough, resilient woman in love with a small-time hoodlum in Jia Zhang-ke’s epic gangland romance, set against China’s relentless modernisation in the 21st century.
Burning
Beoning
A love triangle and mystery based on a Murakami Haruki short story, Korean great Lee Chang-dong’s (Secret Sunshine, Poetry) latest was the best-reviewed film at Cannes, an unforgettable now-or-never must-see on the giant Civic screen.
[CENSORED]
NZIFF guest, Melbourne archivist and filmmaker Sari Braithwaite’s provocative documentary is stitched together entirely from film footage cut by Australian censors.
Climax
Direct from Cannes, the latest sensation from French cinema’s premier provocateur Gaspar Noé (Enter the Void) is his best yet, an exhilarating 1990s techno dance musical that spins out into collective freak-out.
An Elephant Sitting Still
Da xiang xi di er zuo
The first, and tragically only, film from Chinese novelist turned filmmaker Hu Bo is an ambitious and unforgettable film, reminiscent of the works of modern masters like Jia Zhangke and Béla Tarr.
Happy As Lazzaro
Lazzaro felice
Direct from Cannes where it shared the Best Screenplay award for its amazingly inventive script, Alice Rohrwacher’s seductive rural fable applies fairy-tale logic to explore the troubled soul of Italy.
In the Realm of Perfection
L’Empire de la perfection
The archival footage in this strange and striking doco-biopic documenting tennis hothead John McEnroe’s record-breaking 1984 season has lost none of its power to rattle and rouse.
Liquid Sky
Stunningly restored after years of neglect, the quintessential cult item of 1982 drills into a gender fluid New York New Wave club scene of fashionista warfare, hard drugs and extra-terrestrial visitation.
Mirai
Mirai no Mirai
Direct from Cannes, this charming For All Ages anime from Hosoda Mamoru (Wolf Children, The Boy and the Beast) takes a richly imaginative toddler-eye view of a new arrival in the family.
Orlando
Tilda Swinton strides through four centuries of history, switching genders as she goes, in Sally Potter’s gorgeous, playful subversion of British Heritage cinema. With Billy Zane, and Quentin Crisp as Elizabeth I.