Year on year, the kinesis of film never ceases to lose it's light on me. The spectrum may cause retina-burn but this sort of visual and aural medication for Christchurch will find a ready and eager audience for those who are open for it, the door is ajar, climb on through!
My heartfelt thanks to all who curated this never ending roadshow both here and overseas above ground and underground. In the crosshairs I'm aiming to lineup for special attention the following...
A cult film in the making, Jim Hosking’s wildly absurdist follow-up to The Greasy Stranger stars Aubrey Plaza and Jemaine Clement as small-town oddballs with best laid plans.
A love triangle and mystery based on a Murakami Haruki short story, Korean great Lee Chang-dong’s (Secret Sunshine, Poetry) latest was the best-reviewed film at Cannes, an unforgettable now-or-never must-see on a giant screen.
Belgian filmmaker Lukas Dhont won the award for best first feature at Cannes with this empathetic, emotionally rich portrait of a 15-year-old trans girl who aspires to become a ballerina.
Matteo Garrone (Gomorrah) returns to the scene of the crime with this jaw-dropping, based-on-fact tale of a timid dog lover driven to terrifying extremes when he hitches his star to a human beast he cannot control.
Iceland’s Benedikt Erlingsson (Of Horses and Men) winningly mixes absurdist comedy and tense thriller, with Halldóra Geirharðsdóttir as a fearless eco-warrior, juggling environmental action and foster motherhood.
Turkish master Nuri Bilge Ceylan’s latest follows a would-be writer’s reluctant return to his small-town fold, spinning an extensive series of encounters into a typically rich, wry, melancholic mood-piece.
Financial crisis proves to be the crack that lets the light into the lives of a high-living lesbian couple, together for 30 years, in this superb first film from Paraguay. Winner, Best Actress Award, Berlin Film Festival.
“Panos Cosmatos’ follow-up to Beyond the Black Rainbow is a gloriously lurid mock-80s revenge quest that aims a raging, roaring Nicolas Cage at villains from another dimension.” — Katherine McLaughlin, Sight & Sound
Himself a former Jehovah’s Witness, writer/director Daniel Kokotajlo provides an insider’s critique in this dramatic tale of mother and daughter torn between faith and instinct.
A fast, funny documentary on the life, looks and times of the British fashion designer, business woman, environmental activist – and unreconstructed punk – Vivienne Westwood.