I have seen half of these films and each and every one features a scene, a moment or an image that I am grateful to now have with me for life. (Paul Dano’s debut observing the breakdown of a marriage in the 50s Midwest is elegant and loving; Wildlife is an instant classic. Thank goodness for the cameras that captured McQueen’s creativity and vision in those runway shows. In the Aisles observes the gentle kindness of humans in the most ordinary of places.) The other half I’m yet to see and my festival promises an eclectic trip through the 80s, moving observations of love and what it means to be a parent, plenty of WTF?! and a memorable Nic Cage revenge-fest. I’m going to see them on the biggest screens this Festival.
Films — by Collection
- Letterboxd
- Newshub: The 12 Most Exciting Films at NZIFF
- Staff Picks: Alice Vilardel
- Staff Picks: Ant Timpson
- Staff Picks: Bex Shannon
- Staff Picks: Bill Gosden
- Staff Picks: Camila Araos-Elevancini
- Staff Picks: Ina Kinski
- Staff Picks: Jane Simons
- Staff Picks: Jean Teng
- Staff Picks: Kailey Carruthers
- Staff Picks: Karen Cartwright
- Staff Picks: Liam Reid
- Staff Picks: Matt Wilshere
- Staff Picks: Megan Andrews
- Staff Picks: Michael McDonnell
- Staff Picks: Nick Paris
- Staff Picks: Rebecca McMillan
- Staff Picks: Sally Woodfield
- Staff Picks: Sandra Reid
- Staff Picks: Sharon Byrne
- Staff Picks: Tim Wong
- Staff Picks: Zoe Pattinson Fan
- Wellington Film Society
Staff Picks: Rebecca McMillan
Shoplifters
Manbiki kazoku
This year’s surprise Cannes Palme d’Or winner is one of Japanese director Kore-eda Hirokazu’s finest films, about a loving, unconventional family making ends meet on the margins of Tokyo.
Burning
Beoning
A love triangle and mystery based on a Murakami Haruki short story, Korean great Lee Chang-dong’s (Secret Sunshine, Poetry) latest was the best-reviewed film at Cannes, an unforgettable now-or-never must-see on a giant screen.