Staff Picks: Bill Gosden

The ancient traditions of Colombia’s indigenous Wayuu are shaped by an ambitious matriarch to stake a place for her clan in the burgeoning drug economy of the 1970s. This spectacularly original film opens NZIFF18.

Winner of the Cannes Best Director award, Paweł Pawlikowski (Ida) has crafted a brilliant, kaleidoscopic vision of 1950s Europe, bursting with music, dance and the turbulent love of two musicians caught between East and West.

Guy Maddin’s latest cinematic fever dream is a madcap medley of excerpts from Hollywood movies and TV shows, re-edited into a lost surrealist melodrama inspired by Hitchcock’s Vertigo.

An exhilarating exploration of freedom under restraint from a director under house arrest, this resonant, exuberant picture of musicianship and band life is based on the lives of two stars of pre-perestroika Leningrad rock.

This thrillingly flamboyant film explores British designer Alexander McQueen’s humble beginnings, his tight knit band of collaborators, his creative genius – and exalts the disturbing splendour of his work.

This electric time-lapse portrait of three skateboarders dropping into manhood bears all the hallmarks of its executive producer Steve James (Hoop Dreams): empathetic, unsentimental and profoundly involving.

This year’s surprise Cannes Palme d’Or winner is one of Japanese director Kore-eda Hirokazu’s finest films, about a loving, unconventional family making ends meet on the margins of Tokyo.

Rapper, piano virtuoso, performance artist, gifted collaborator or evil, smirking genius, Jason Beck aka Chilly Gonzales crowd-surfs the academy and puts on a hell of a show in the year’s wildest, funniest music doco.

Kiwi director Pietra Brettkelly takes us into the opulent world of show-stopping Chinese designer Guo Pei as she prepares to make her Paris debut and seeks admission into the exclusive club of haute couture.

The brilliant Argentinian auteur Lucrecia Martel returns with a feverish, formally sophisticated period piece about a Spanish officer’s personal hell in colonial South America.