Films by Genre

Indigenous

Bellbird

Hamish Bennett

Marshall Napier, Cohen Holloway and Rachel House shine in Hamish Bennett’s beautifully judged, poignantly funny drama of life and community on a struggling Northland family dairy farm.

By the Balls

Charlotte Purdy, Simon Coldrick

Sport and politics most definitely do mix in this gripping look back at a brutal and turbulent time for New Zealand rugby, told from the point of view of the players themselves including David Kirk and Buck Shelford.

Dilili in Paris

Dilili à Paris

Michel Ocelot

The great master of French animation, Michel Ocelot (Kirikou and the Sorceress, Kirikou and the Wild Beasts), returns with this enchanting new tale of brave young heroes, set in Paris during the Belle Epoque.

For My Father’s Kingdom

Vea Mafile’o, Jeremiah Tauamiti

Pasifika filmmakers Vea Mafile’o and Jeremiah Tauamiti direct this intimate, clear-eyed documentary centred on the faith, love and fatherhood of Saia Mafile’o, and his four children.

Herbs: Songs of Freedom

Tearepa Kahi

Director Tearepa Kahi’s follow-up to the infectious Poi E is a rousing celebration of Pacific reggae legends Herbs, the band’s members and its action as an inspiring musical front for social rights and harmony.

MO TE IWI – Carving for the People

Robin Greenberg

An intimate journey through the life and work of master carver Rangi Hetet and a celebration of his lifelong devotion to the traditions of Māori carving and Māori art.

New Zealand’s Best 2019

Check out the year’s best New Zealand short films as chosen by this year’s guest selector Jane Campion, from a shortlist drawn up by NZIFF programmers from a total of 91 entries.

Ngā Whanaunga Māori Pasifika Shorts 2019

A collection of Māori and Pasifika short films curated by Leo Koziol (Ngāti Kahungunu, Ngāti Rakaipaaka), director of the Wairoa Māori Film Festival, with guest co-curator Craig Fasi (Niue), director of the Pollywood Film Festival. Curators’ comments on each film appear in italics.

The Nightingale

Jennifer Kent

Winner of the Special Jury Prize at the Venice Film Festival, Jennifer Kent’s brutal revenge saga is an unrelenting reckoning with white male oppression – and not for the faint of heart.