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Congratulations to the winners of the Audience Choice Awards in New Zealand's Best 2021 and Ngā Whanaunga Māori Pasifika Shorts 2021.

The Audience Choice Award for New Zealand's Best 2021 went to Datsun, directed by Mark Albiston, and the Letterboxd Audience Choice Award for Ngā Whanaunga Māori Pasifika Shorts 2021 went to Disconnected, directed by Maruia Jensen.

Mark will receive a 25% share of the box office takings from the New Zealand's Best 2021 screenings in Wellington, Christchurch and Dunedin, while Jensen takes home a cash prize of $1000.

The awards were decided by audience voting at screenings in Wellington and Christchurch and were announced live last night at Wellington's Embassy Theatre ahead of the sold-out Closing Night screening of Palme d'Or winner Titane.

Ngā Whanuanga Māori Pasifika Shorts has screenings to come in Tauranga, Hawke's Bay, New Plymouth, Palmerston North, Nelson, and a sold-out screening in Encore Week in Wellington. 

New Zealand's Best 2021 has screenings to come in Hawke's Bay, Masterton,and New Plymouth, and a sold-out screening in Encore Week in Wellington. 

Congratulations to filmmaker Maruia Jensen who was last night awarded the Wellington UNESCO City of Film Award for Best Film in the tenth annual Ngā Whanaunga Māori Pasifika Shorts competition, for her film Disconnected.

Selected by the jury comprised of renowned playwright Victor Rodger, journalist and filmmaker Jodi Ihaka and aspiring filmmaker Oriwa Hakaraia, the award was announced live at Wellington's Roxy Cinemas, following a sold-out screening of the film collection.

The jury also awarded a special mention to cinematographer Elise Lanigan for film fire in the water, fire in the sky.

Of her win, filmmaker Maruia Jensen said, “Wow - this is amazing! It’s still sinking in. The film is based on real events and is very personal to me, so this is very special.”

In addition to Disconnected, the finalists, selected by curators Leo Koziol (Ngāti Kahungunu, Ngāti Rakaipaaka), Director of the Wairoa Māori Film Festival, and Craig Fasi (Niue), Director of the Pollywood Film Festival, were Disrupt (dir: Jennifer Te Atamira Ward-Lealand), fire in the water, fire in the sky (dir: Mīria George), Sista (dir: Chantelle Burgoyne), and True Love (dir: Ray Edwards).

2021 marks the second year that Ngā Whanaunga, in its 10th year, has been

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Whānau Mārama: New Zealand International Film Festival officially ends its Wellington, Christchurch and Dunedin seasons on Sunday and with it, announces the departure of Festival Director Marten Rabarts.

Rabarts (Ngāti Porou, Ngāpuhi) was appointed Director in 2019 following the retirement of long-time director Bill Gosden due to ill health. Marten has directed the last two festivals and his decision to leave the role was made some months ago, but he was fully committed to seeing the 2021 festival delivered to its loyal audiences.

NZFFT Chair, Catherine Fitzgerald, said Marten was appointed with a vision to bring new and exciting developments to the festival, however with the emergence of the global Covid-19 pandemic, these became impossible and simply delivering the 2020 and 2021 festivals was an all-encompassing challenge.

“We thank Marten for his energy, drive and tenacity which ensured that in 2020 we were able to deliver a hybrid festival for audiences, and that this year, despite having to cancel the Auckland and Hamilton legs, we have been able to present a festival – with an outstanding programme – in 11 centres around the country under Alert Level 2 restrictions.

“It has been a very challenging time and we acknowledge that this hasn’t

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Drumroll please ... congratulations to the winners of the tenth annual New Zealand’s Best short film competition, with three talented wāhine directors taking out top accolades.

The awards were announced live tonight following the screening of the films at The Embassy Theatre in Wellington.

The Vista Group Award for Best Short Film was jointly awarded to When We Were Kids and Washday. Auckland director Josephine Stewart-Te Whiu and Wellington director Kath Akuhata-Brown will share the cash prize of $7500.

Josephine Stewart-Te Whiu also received the Auckland Live Spirit of The Civic Award of $4000. The prize is awarded to a filmmaker whose work indicates the possibility of a feature made by them being of the stature and quality to open a Festival at Auckland’s The Civic in the future.

The Creative New Zealand Emerging Talent Award, an award that recognises a fresh voice, filmmaking that gives life to stories of those less often represented in film, or that speaks to new or existing audiences in different way, was awarded to Tūī. Director Awa Puna receives a cash prize of $4000.

The awards were judged by a three-member jury: filmmakers Annie Collins and Gaysorn Thavat, and Matthew Liebmann of Vista Group.

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Whānau Mārama: New Zealand International Film Festival announces its full programme for the Hawke’s Bay leg of the festival, featuring 40 feature films from 16 countries. The festival will run for 18 days at Havelock North’s Event Cinemas and Napier’s MTG Century Theatre from Thursday 18 November and tickets are on sale now.

NZIFF has worked with all its partner venues and cinemas around the country to be able to present the festival under the new Alert Level 2 requirements in 12 towns and cities nationwide including Napier and Havelock North, Hawke’s Bay.

“We look forward to sharing our fantastic 2021 programme with Hawke’s Bay audiences in a safe environment at Havelock North’s Event Cinemas and Napier’s MTG Century Theatre this November. We hope that the community will show its support for the festival by checking out as many of the outstanding New Zealand and international films that we’ve selected as possible,” says Festival Director Marten Rabarts.

Films joining NZIFF’s 2021 line-up for Hawke's Bay include, Sundance Film Festival’s Grand Jury Prize winning documentary, Flee; decorated Chinese director Zhang Yimou’s love letter to cinema, One Second; and Bosnia and Herzegovina’s contender for the 2021 Best International Feature Oscar, Jasmila Zbanic’s

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