Léa Seydoux and George MacKay’s fatal attraction endures across space and time in Bertrand Bonello’s audacious Lynchian reflection on love and obsession, mixing sci-fi, melodrama, and horror across three different time frames.
Festival Programme
Films — by Genre
- Activism
- Americana
- Animals
- Based on Books
- Body and Mind
- Cannes
- Comedy
- Coming of Age
- Crime
- Documentary
- Education
- Environment
- Family Ties
- Feminism
- Food and Beverage
- Horror
- Human Rights
- Indigenous
- LGBTQIA+
- Love Stories
- Media and the Internet
- Music
- Māori/Pacific
- Politics
- Rebellion
- Refugee and Migrant Stories
- Religion
- Rural Life
- Sci-Fi
- Science & Technology
- Sports and Gaming
- Stylistic
- Theatre
- Thriller
- Travel
- WTF?
- War Zones
- Women Make Docs
- Women Make Features
- Youth
Stylistic
I Saw the TV Glow
Gunge, goons, and girls with unbreakable psychic bonds are your new late-night obsession in this unsettling fable about what happens when you get offered a chance at a fantasy, but choose to settle for reality.
Paris, Texas
Starring the late great Harry Dean Stanton in his most iconic role, Wim Wenders’ newly restored modern classic delivers one of the definitive outsider views of America.
The Substance
Direct from wowing audiences at Cannes, Coralie Fargeat’s magnificent shocker closes out this year’s Festival in style and lays down her marker to take the crown as the new queen of carnage with this wildly entertaining feminist body-horror feast.