Even if you’re not a fan of heavy metal, you can’t help but admire Alien Weaponry. If not for their rise to fame on an international scale, then for being the first band of the genre to sing in te reo Māori.
Festival Programme
Films — by Country
Aotearoa New Zealand
The Haka Party Incident
In 1979, group of young Māori and Pasifika activists sought to stop Pākehā students at the University of Auckland performing a parody of haka each capping week. Unfortunately, the consequences for those activists were severe – many were convicted of crimes. Director Katie Wolfe uncovers this largely forgotten event in our history with interviews from both in this resonant and thought-provoking documentary.
Head South
Christchurch-born filmmaker Jonathan Ogilvie returns home for this evocative coming-of-age story that brilliantly captures the feeling of growing up weird in the Garden City. Starring Ed Oxenbould, Márton Csókás and featuring Stella Bennett aka Benee in her acting debut, Head South will be our Opening Night film for the Christchurch leg of the festival.
A Mistake
On the eve of a move towards greater public health data reporting, a medical error throws life into a spin for a respected surgeon and her surgical team; the downward spiral threatening all in her orbit.
Never Look Away
Lucy Lawless makes her directorial debut with a raucous documentary exploring the life of another warrior princess – fierce and fearless Kiwi war video journalist Margaret Moth.
New Zealand's Best 2024
The year’s best New Zealand short films as chosen by guest selector, Gerard Johnstone.
Ngā Whanaunga Māori Pasifika Shorts 2024
Support these Māori and Pasifika films at screenings all across the motu.
Taki Rua Theatre - Breaking Barriers
What began as an experience in biculturalism between Māori and Pākehā grew into Taki Rua Theatre, the unofficial national Māori theatre company. As we tour the motu with the latest ensemble of young artists, we witness the deeply personal and politically visionary story of the 30-year struggle to create a truly bicultural force, and the wāhine toa who agitated for change.
We Were Dangerous
Earning director Josephine Stewart-Te Whiu the Special Jury Prize for Filmmaking at SXSW this year, this electric debut launches our festival with a fiery trio of delinquent schoolgirls railing against the colonial system in 1950s New Zealand.