“Agent of happiness” Amber sets out on a cross-country road trip surveying the satisfaction of the Bhutanese public, as this crowd-pleasing doco questions whether the Himalayan country really is the happiest place on Earth.
Festival Programme
Films — by Language
English
Alien Weaponry: Kua Tupu Te Ara
Even if you’re not a fan of heavy metal, you can’t help but admire Alien Weaponry. If not for their rise to fame on an international scale, then for being the first band of the genre to sing in te reo Māori.
The Beast
La bête
Léa Seydoux and George MacKay’s fatal attraction endures across space and time in Bertrand Bonello’s audacious Lynchian reflection on love and obsession, mixing sci-fi, melodrama, and horror across three different time frames.
Crossing
An aging aunt must voyage from her rugged Georgian home to cosmopolitan Istanbul in search of an estranged trans niece in this graceful cross-cultural panorama from Levan Akin.
Green Border
Zielona granica
Brutal, enraging and heartrending, Polish writer-director Agnieszka Holland’s controversial take on the Polish-Belarusian border crisis serves as a startling call to arms in the face of a little-seen humanitarian crisis.
The Haka Party Incident
In 1979, group of young Māori and Pasifika activists sought to stop Pākehā students at the University of Auckland performing a parody of haka each capping week. Unfortunately, the consequences for those activists were severe – many were convicted of crimes. Director Katie Wolfe uncovers this largely forgotten event in our history with interviews from both in this resonant and thought-provoking documentary.
Head South
Christchurch-born filmmaker Jonathan Ogilvie returns home for this evocative coming-of-age story that brilliantly captures the feeling of growing up weird in the Garden City. Starring Ed Oxenbould, Márton Csókás and featuring Stella Bennett aka Benee in her acting debut, Head South will be our Opening Night film for the Christchurch leg of the festival.
I Saw the TV Glow
Gunge, goons, and girls with unbreakable psychic bonds are your new late-night obsession in this unsettling fable about what happens when you get offered a chance at a fantasy, but choose to settle for reality.
In Restless Dreams: The Music of Paul Simon
Paul Simon is that rare popular artist who has produced vital music across seven decades. Drawing on archives and intimate new footage, this comprehensive documentary examines the creative career of a lifelong seeker.
Kneecap
Belfast’s own Beastie Boys become unlikely figureheads of the Irish Language Act in this madcap biopic of sex, drugs, and Gaelic rap.
Midnight Oil: The Hardest Line
Defying the traditional rock ’n’ roll narrative, this is the story of how a young Australian hard rock band developed a political conscience and brought their audience along with them.
A Mistake
On the eve of a move towards greater public health data reporting, a medical error throws life into a spin for a respected surgeon and her surgical team; the downward spiral threatening all in her orbit.
The Monk and the Gun
Is “political freedom” worth the cost of familial or social discord? When Bhutan’s king abdicates in favour of democratic reform, a strange series of events unfolds, where the old and the new collide in wondrous fashion.
Never Look Away
Lucy Lawless makes her directorial debut with a raucous documentary exploring the life of another warrior princess – fierce and fearless Kiwi war video journalist Margaret Moth.
New Zealand's Best 2024
The year’s best New Zealand short films as chosen by guest selector, Gerard Johnstone.
Ngā Whanaunga Māori Pasifika Shorts 2024
Support these Māori and Pasifika films at screenings all across the motu.
No Other Land
Filmed in Palestine between 2019 and 2023, No Other Land is a documentary film performing its calling. An urgent and irresistible reminder as to why we choose to understand the world, and others, through cinema.
The Outrun
Saoirse Ronan brings Amy Liptrot’s award-winning memoir to the screen in this ardently moving portrait of addiction recovery set in the majestic Orkney Islands of Scotland.
Paris, Texas
Starring the late great Harry Dean Stanton in his most iconic role, Wim Wenders’ newly restored modern classic delivers one of the definitive outsider views of America.
The Substance
Direct from wowing audiences at Cannes, Coralie Fargeat’s magnificent shocker closes out this year’s Festival in style and lays down her marker to take the crown as the new queen of carnage with this wildly entertaining feminist body-horror feast.
Taki Rua Theatre - Breaking Barriers
What began as an experience in biculturalism between Māori and Pākehā grew into Taki Rua Theatre, the unofficial national Māori theatre company. As we tour the motu with the latest ensemble of young artists, we witness the deeply personal and politically visionary story of the 30-year struggle to create a truly bicultural force, and the wāhine toa who agitated for change.
The Teachers' Lounge
Das Lehrerzimmer
Driven by a captivating central performance, this unsettling Oscar-nominated classroom thriller thoughtfully probes the grey area of student care versus culpability, and to what degree our systems promote or constrain our humanity.
We Were Dangerous
Earning director Josephine Stewart-Te Whiu the Special Jury Prize for Filmmaking at SXSW this year, this electric debut launches our festival with a fiery trio of delinquent schoolgirls railing against the colonial system in 1950s New Zealand.