Indigenous

“Agent of happiness” Amber sets out on a cross-country road trip surveying the satisfaction of the Bhutanese public, as this crowd-pleasing doco questions whether the Himalayan country really is the happiest place on Earth.

Even if you’re not a fan of heavy metal, you can’t help but admire Alien Weaponry. If not for their rise to fame on an international scale, then for being the first band of the genre to sing in te reo Māori.

In 2021, 26 plundered artefacts from the Kingdom of Dahomey are returned to the modern day nation of Benin. Mati Diop’s dreamlike documentary skilfully examines the debate surrounding the repatriation of stolen cultural treasures.

In 1979, group of young Māori and Pasifika activists sought to stop Pākehā students at the University of Auckland performing a parody of haka each capping week. Unfortunately, the consequences for those activists were severe – many were convicted of crimes. Director Katie Wolfe uncovers this largely forgotten event in our history with interviews from both in this resonant and thought-provoking documentary.

Paul Wolffram’s urgent documentary takes us into the remote highlands of Papua New Guinea and one indigenous woman’s fight against the insidious influence of sanguma – sorcery violence.

Is “political freedom” worth the cost of familial or social discord? When Bhutan’s king abdicates in favour of democratic reform, a strange series of events unfolds, where the old and the new collide in wondrous fashion.

The year’s best New Zealand short films as chosen by guest selector, Gerard Johnstone.

Support these Māori and Pasifika films at screenings all across the motu.

Filmed in Palestine between 2019 and 2023, No Other Land is a documentary film performing its calling. An urgent and irresistible reminder as to why we choose to understand the world, and others, through cinema.

How far would you go to prove yourself? Pema, accused of infidelity, embarks on a journey through the beautiful yet unforgiving Himalayan landscape to confirm her virtue.

What began as an experience in biculturalism between Māori and Pākehā grew into Taki Rua Theatre, the unofficial national Māori theatre company. As we tour the motu with the latest ensemble of young artists, we witness the deeply personal and politically visionary story of the 30-year struggle to create a truly bicultural force, and the wāhine toa who agitated for change.

Earning director Josephine Stewart-Te Whiu the Special Jury Prize for Filmmaking at SXSW this year, this electric debut launches our festival with a fiery trio of delinquent schoolgirls railing against the colonial system in 1950s New Zealand.