Music

Even if you’re not a fan of heavy metal, you can’t help but admire Alien Weaponry. If not for their rise to fame on an international scale, then for being the first band of the genre to sing in te reo Māori.

This triptych tale of a family in turmoil is equal parts incredibly moving and scabrously funny, Matthias Glasner’s award-winning drama may be called Dying, but it’s really a celebration of the messiness of life.

Ryûsuke Hamaguchi follows up his Oscar-winning film Drive My Car with a modern eco-fable that provides a gorgeous meditation on humanity’s relation to nature and an unnerving commentary on the price of progress.

An energetic re-envisioning of Baroque music through the lens of the fiery female composers whose revolutionary work was concealed throughout history.

Christchurch-born filmmaker Jonathan Ogilvie returns home for this evocative coming-of-age story that brilliantly captures the feeling of growing up weird in the Garden City. Starring Ed Oxenbould, Márton Csókás and featuring Stella Bennett aka Benee in her acting debut, Head South will be our Opening Night film for the Christchurch leg of the festival.

Paul Simon is that rare popular artist who has produced vital music across seven decades. Drawing on archives and intimate new footage, this comprehensive documentary examines the creative career of a lifelong seeker.

Belfast’s own Beastie Boys become unlikely figureheads of the Irish Language Act in this madcap biopic of sex, drugs, and Gaelic rap.

Defying the traditional rock ’n’ roll narrative, this is the story of how a young Australian hard rock band developed a political conscience and brought their audience along with them.

Opus is a starkly intimate, self-performed elegy capturing a dying man’s genius.

An electrifying assemblage of sound and image tells the story of a CIA-backed cold war coup in Congo – and the American jazz musicians weaponised in its cause.