Léa Seydoux and George MacKay’s fatal attraction endures across space and time in Bertrand Bonello’s audacious Lynchian reflection on love and obsession, mixing sci-fi, melodrama, and horror across three different time frames.
Festival Programme
Films — by Genre
- Action
- Activism
- Americana
- Animals
- Animation
- Art
- Based on Books
- Body and Mind
- Cannes
- Comedy
- Coming of Age
- Crime
- Disability
- Documentary
- Education
- Environment
- Family Ties
- Feminism
- Films about Films
- Food and Beverage
- For All Ages
- Horror
- Human Rights
- Indigenous
- LGBTQIA+
- Love Stories
- Media and the Internet
- Music
- Māori/Pacific
- Politics
- Rebellion
- Refugee and Migrant Stories
- Religion
- Rural Life
- Sci-Fi
- Science & Technology
- Sports and Gaming
- Stylistic
- Theatre
- Thriller
- Travel
- WTF?
- War Zones
- Women Make Docs
- Women Make Features
- Youth
Stylistic
Cuckoo
Equal parts picturesque, creepy and batshit crazy, with a stunning performance from Euphoria’s Hunter Schafer in her first feature lead role, this riotous horror flick proves to be raucously entertaining and refreshingly unpredictable.
I Saw the TV Glow
Gunge, goons, and girls with unbreakable psychic bonds are your new late-night obsession in this unsettling fable about what happens when you get offered a chance at a fantasy, but choose to settle for reality.
The Mother of All Lies
Kadib abyad
Moroccan filmmaker Asmae El Moudir enlists her family and friends to help investigate the mysteries of her childhood and her family’s connection to their nation’s troubled past in this multi-award-winning documentary.
Paris, Texas
Starring the late great Harry Dean Stanton in his most iconic role, Wim Wenders’ newly restored modern classic delivers one of the definitive outsider views of America.
The People's Joker
Vera Drew lays her soul bare with this fever-dream of a DC Universe parody that takes us through the trippiest and most monumental moments of her life and gender realisation.
Problemista
Julio Torres makes a bold directorial debut with a bright, colourful and unique take on the American dream featuring a delightfully manic performance from Tilda Swinton.
The Substance
Direct from wowing audiences at Cannes, Coralie Fargeat’s magnificent shocker closes out this year’s Festival in style and lays down her marker to take the crown as the new queen of carnage with this wildly entertaining feminist body-horror feast.
The Sweet East
A psychedelic journey through a warped America, this contemporary picaresque follows a high school runaway as she navigates oddities, dangers and delights on the road to nowhere, from cinematographer-turned-director Sean Price Williams.