Women Make Features

Direct from Competition in Cannes where it scored the Grand Prix, this radiant Indian drama follows two nurses looking for love but finding sisterhood in the vibrant, heaving 20 million plus populace of Mumbai.

An energetic re-envisioning of Baroque music through the lens of the fiery female composers whose revolutionary work was concealed throughout history.

Mean Girls  meets  Face/Off   to absolutely wild results in Sasha Rainbow’s gory and uniquely Kiwi black comedy about a Chinese student who finds a new way of achieving popularity one body at a time.

Brutal, enraging and heartrending, Polish writer-director Agnieszka Holland’s controversial take on the Polish-Belarusian border crisis serves as a startling call to arms in the face of a little-seen humanitarian crisis.

A sensitive vampire meets a depressed teenage boy in this deadpan romantic comedy about two loners connecting.

Gunge, goons, and girls with unbreakable psychic bonds are your new late-night obsession in this unsettling fable about what happens when you get offered a chance at a fantasy, but choose to settle for reality.

Acclaimed playwright Annie Baker ruminates on the evolving relationship between an 11-year-old misfit and her single mother during the summer holidays in this intimately observed debut feature.

On the eve of a move towards greater public health data reporting, a medical error throws life into a spin for a respected surgeon and her surgical team; the downward spiral threatening all in her orbit.

A lonely but fiercely determined 70-year-old widow takes second chance on love in this charming and funny yet politically subversive romance from Iran.

Saoirse Ronan brings Amy Liptrot’s award-winning memoir to the screen in this ardently moving portrait of addiction recovery set in the majestic Orkney Islands of Scotland.

Vera Drew lays her soul bare with this fever-dream of a DC Universe parody that takes us through the trippiest and most monumental moments of her life and gender realisation.

Direct from wowing audiences at Cannes, Coralie Fargeat’s magnificent shocker closes out this year’s Festival in style and lays down her marker to take the crown as the new queen of carnage with this wildly entertaining feminist body-horror feast.

An Iranian judo champ weighs her principles and ambitions against the safety of her family and herself as government forces threaten violence unless she tows the party line, in this riveting political-sports-thriller.

Earning director Josephine Stewart-Te Whiu the Special Jury Prize for Filmmaking at SXSW this year, this electric debut launches our festival with a fiery trio of delinquent schoolgirls railing against the colonial system in 1950s New Zealand.