French

Léa Seydoux and George MacKay’s fatal attraction endures across space and time in Bertrand Bonello’s audacious Lynchian reflection on love and obsession, mixing sci-fi, melodrama, and horror across three different time frames.

Equal parts picturesque, creepy and batshit crazy, with a stunning performance from Euphoria’s Hunter Schafer in her first feature lead role, this riotous horror flick proves to be raucously entertaining and refreshingly unpredictable.

In 2021, 26 plundered artefacts from the Kingdom of Dahomey are returned to the modern day nation of Benin. Mati Diop’s dreamlike documentary skilfully examines the debate surrounding the repatriation of stolen cultural treasures.

A runaway groom with his bride-to-be in hot pursuit takes us on an epic tour through colonial-era Asia in Miguel Gomes’s playful Cannes prize-winner which mingles the artificiality of classic cinema with a documentary sense of place.

Brutal, enraging and heartrending, Polish writer-director Agnieszka Holland’s controversial take on the Polish-Belarusian border crisis serves as a startling call to arms in the face of a little-seen humanitarian crisis.

A sensitive vampire meets a depressed teenage boy in this deadpan romantic comedy about two loners connecting.

A quietly diligent examination of a family-run three-star Michelin restaurant in France, revealing minute details of a sprawling ecosystem as it unobtrusively traverses kitchens, dining rooms, suppliers, markets, cheese caves, farms, vineyards, and apiaries.

Lucy Lawless makes her directorial debut with a raucous documentary exploring the life of another warrior princess – fierce and fearless Kiwi war video journalist Margaret Moth.

An electrifying assemblage of sound and image tells the story of a CIA-backed cold war coup in Congo – and the American jazz musicians weaponised in its cause.