Even if you’re not a fan of heavy metal, you can’t help but admire Alien Weaponry. If not for their rise to fame on an international scale, then for being the first band of the genre to sing in te reo Māori.
Festival Programme
Films — by Genre
- Activism
- Americana
- Animals
- Based on Books
- Body and Mind
- Cannes
- Comedy
- Coming of Age
- Crime
- Documentary
- Education
- Environment
- Family Ties
- Feminism
- Horror
- Human Rights
- Indigenous
- LGBTQIA+
- Love Stories
- Media and the Internet
- Music
- Māori/Pacific
- Politics
- Rebellion
- Refugee and Migrant Stories
- Religion
- Rural Life
- Sci-Fi
- Science & Technology
- Sports and Gaming
- Stylistic
- Thriller
- Travel
- WTF?
- War Zones
- Women Make Docs
- Women Make Features
- Youth
Family Ties
Crossing
An aging aunt must voyage from her rugged Georgian home to cosmopolitan Istanbul in search of an estranged trans niece in this graceful cross-cultural panorama from Levan Akin.
Dying
Sterben
This triptych tale of a family in turmoil is equal parts incredibly moving and scabrously funny, Matthias Glasner’s award-winning drama may be called Dying, but it’s really a celebration of the messiness of life.
Head South
Christchurch-born filmmaker Jonathan Ogilvie returns home for this evocative coming-of-age story that brilliantly captures the feeling of growing up weird in the Garden City. Starring Ed Oxenbould, Márton Csókás and featuring Stella Bennett aka Benee in her acting debut, Head South will be our Opening Night film for the Christchurch leg of the festival.
New Zealand's Best 2024
The year’s best New Zealand short films as chosen by guest selector, Gerard Johnstone.
The Seed of the Sacred Fig
A conflicted family implodes as protests spread throughout Iran, Mohammad Rasoulof’s courageous and urgent film delivers a bold middle finger to the totalitarian regime of his homeland.
Sons
Vogter
A corrections officer sees her placid work life thrown into disarray upon the arrival of a new inmate, a mysterious figure from her past, in this sophomore feature from Gustav Möller.